I wrote this poem recently when England was in the grip of a recent heat wave – maybe not by most standards, but believe me, 25 degrees is a heatwave here – that as ever, brought the country to a shuddering halt.
Living in England and I’d guess may parts of northern Europe, we seem to spend a lot of time wishing it was sunnier and hotter, only to find that it’s all too much when we get the weather we wished for! It turns out that we’re not that good at handling the heat and even trips out to the seaside at these times will inevitably just end in some ridiculous traffic jam where lines of people sit and bake in hot car shaped ovens. It’s what we Brits often refer to as ‘Bank Holiday Fun’.
The worst thing for me though is that it affects my sleep. It’s not that major a thing, but I do find that when it’s too hot I’ll be up out of bed and sitting waiting for sleep to come at least once a week. Sometimes that might mean that I just have to spend 20 minutes reading a book, but on other occasions I can be up for hours before crashing out on the settee. It’s never nice waking up the next day and realising that you had three hours sleep!
I wrote this poem on such an occasion recently. It was the second time I’d gotten out of bed that night and in the end I just started writing ideas in a notebook until I had enough for some kind of coherent poem.
Heat strangles sleep, rendering you a passenger on board a fragile boat adrift in the storm at night.
Mind and body unable to do what is needed, natural,
so instead you prowl in search of some remedy to calm the stomach's churning,
soothe the skin where beads of sweat sheen and shimmer,
bridge these troubled waters and allow you to return once more to a slumber,
less fitful, that will only see you disembark,
blinking across the landing as morning breaks and day calls.
Instead, above, floorboards call out to indicate that you're not alone in this struggle.
So you slump, uncomfortable, yet cooler,
you sense the boat breaking so you cling to driftwood and hope for the best,
undecided if you'll sink or swim.
Having written this poem and the bones of another, I looked at the clock to find that it was just after 3am. For someone who gets up for work at 6am, this was not a nice realisation!
I just felt like a passenger on this particular night. Like I had no control whatsoever over whether I’d get to sleep or not. This came out in the poem as feeling adrift, almost letting the current take you wherever it was going. I knew I wasn’t going to just drop off to sleep, so had to fill my time and the thought about being adrift prompted the whole poem. At one point I heard someone else get up and hoped that I hadn’t disturbed them. It made me try to go to sleep, but again it was unsuccessful!
Thanks for reading. I hope you enjoyed this poem and as ever, if you have any thoughts on it then feel free to leave a comment.
A hastily written poem this one. I had a few lines running round my head one evening in the final week of term and thought it might be worth seeing what happened if I tried to join the dots.
It’s about…well, let’s not treat people like idiots here, it’s about what it says in the title. As many of you know, I’m a teacher and so this time of year is very special to me – and all teachers, I hope – and it always prompts a great deal of thinking. What will next year be like, how will I get on, what’s kid X going to be like in Year 9, do I think I’ll get along with this class next year, etc. And that’s before you even get to thinking about how tired you are and what you’ll be up to over the 6 blissful weeks of summer.
The last week of the academic year is always quite a strange time. For me personally, it always feels like a week too far and I know that’s silly really. There has to be a final week and, as I’m reminded of regularly by people who clearly never went to school, I have a lot of holidays. On a side note, I’ve never figured out why people who moan about teachers’ holidays don’t just solve the issue by becoming teachers.
The last week generally sees a small dip in the student population, a smattering of unauthorised holidays being taken, sometimes a downturn in behaviour and eventually, a slackening off in the quality of lessons. The weather seems to always be ridiculously hot – relatively so; this is the UK after all so we’re not claiming European levels of scorchio – and so it becomes a case of trying to evade some form of heat exhaustion too, for teachers and students.
So anyway, I wrote a poem about the whole phenomenon.
End of Term
A strange mix of exhaustion, excitement and familiarity drifts around for days.
Every morning is greeted with half closed eyes and a walk that has more than a hint of Marley's Ghost
You trudge out of the door, drag yourself through each day,
tolerate those you are faced with and smile through gritted teeth,
as if that alone will make the clock go faster.
From Monday through those last five days, classrooms will echo to a familiar refrain;
'Can we watch a film?'
And you brawl with your conscience hourly to stop from caving in.
The minutes fail to fly as you attempt to solve the mystery
of how to craft one more lesson on a text long since finished and tired of.
Outside the sun shines without mercy, turning the classroom into an oven
that bakes until all enthusiasm is burnt and thoroughly dried out,
like last night's re-heated lasagne.
Windows and doors are propped open and you battle with all on the corridor to be heard,
while your voice gives way and your feet grumble dolefully.
After a week that felt like a year you arrive on that final day,
too shattered to appreciate the glee that greets no uniform.
You smile weakly at the fashion show and finally put on a film, while your class complains
that this one's boring and that the teacher next door brought sweets for her class.
Summer can't come soon enough.
It’s been a very difficult year in schools. Things have been different to say the least. Covid has changed everything and this year has featured a heady mix of room changes, teaching in bubbles, watching on not really knowing how to react when pupils have been taken out of class to be sent home for dreaded periods of isolation, bubble collapses and whole year groups going home, split starting times, dinner times and finishing times, Teams lessons, Teams meetings, school closures and teaching to an empty room, and of course more hand sanitiser than you could ever imagine!
It’s been a year to test the resolve of teaching and non teaching staff as well as students, parents and guardians. As a result, as the final line of the poem says – and with more emphasis than perhaps ever before – Summer can’t come soon enough.
As ever, comments are always more than welcome. Thanks for reading!
I feel I should start this particular blog with an apology. I’ve written another poem with a terrible title, I’m afraid. It’s a common occurrence. A lot of the time for me, writing is instinctive in that I might be thinking about something and a line pops into my head. This is a common starting point and it’ll often see me scrawling in a notebook and finalising a poem fairly rapidly, without a great deal of drafting. However, what it also leaves me without is a decent title. I tried a few, but in the end just plumped for a phrase from the poem. A proper cop out if ever there was one! Sorry.
This poem came about when I was considering a few things to do with my future. It was mainly to do with work and my profession, but I was also thinking about the future in terms of the coaching I do and also my parents, who are both elderly and not in the greatest of health. It led me to considering what the next few years might hold for me. It’s a subject I’ve written about before and one that I’ll think I’ll return to as well. Here’s the terribly titled poem though.
Alien thoughts dominate; an invasive species not indigenous to these shores
nudges you off an axis you've been comfortably balanced on for years.
Simply what to do is no longer the question,
but what to do with the rest of your life.
How to bring back purpose, like light to a darkened room,
heat to a vacant house.
If this path has run its course, you'll endeavour to have faith
that another will emerge from the undergrowth that currently crowds
your thinking, blocks your way.
A future awaits, not immediately demanding your attention,
but tugging at your sleeve every once in a while, reminding you that it's there,
that you keep it in mind.
Its patient nuisance can wait for now, but won't let you ponder forever.
This one is undoubtedly a poem born of middle age, but I don’t doubt that pondering one’s future is exclusively a middle aged thing. Sometimes, whatever your age, it’s a good thing to ponder what next. I suppose it helps you feel stable, prepared. And that’s part of what this poem is about. There are certain things in my relatively immediate future that I feel are inevitable and that will shake me to my boots when they happen, so to speak. So giving it some thought, although not usually my favoured course of action, is likely to be a wise idea.
As a younger man I imagined that this time in my life would be very different and that I’d have everything straight in my head by now. It’s funny how it all turns out!
I hope you enjoyed the poem. Maybe it prompted a bit of thinking of your own. However you felt, I’d love to hear it, so feel free to leave a comment. Thanks for reading!
As a football fan, I’d forgotten how much I missed tournament football. I’ve detailed lots of factors in my Euro 2020 Diaries that I’ve been writing for the blog (links below if you fancy a read), but it’s safe to say that simple things like the noise and the colour have been amazing and it surprised me how much it affected me when seeing it all in full flow again.
I think the first time it really struck me was watching the first of Hungary’s games and realising that they had a full stadium. I actually commented to my wife about what a remarkable thing it was, both of us knowing all too well, that I’d been in many, many a packed stadium before.
When the tournament was cancelled due to the effects of the first wave of Coronavirus I didn’t give it much thought. It didn’t bother me at all. Despite football’s importance in my life, life itself took prominence at that point. The realisation that I was at real risk of something that might well kill me stopped me taking football too seriously. Funny that!
However, fast forward a year or so and I am once again fully immersed in watching football. It doesn’t matter that I’m largely watching players I’ve at best only vaguely heard of; I’m loving every minute. It prompted me to write my blog diaries, but then one day I was hit by the urge to get all poetic. I was thinking about the remarkable on-pitch events surrounding Christian Erikson and the subsequent rallying cry of what seemed like the entire Danish nation. And it got me to writing. And once I stopped, well it wasn’t as if I couldn’t stop, but I found myself writing four poems there and then. So, I suppose I did stop after all.
The first is my poem about the remarkable story of the Denmark national team and I suppose those who represent the Danish nation at the tournament. To quickly fill in a few blanks, their star player suffered a cardiac arrest on the pitch during their first game. He survived and the team have been battling on ever since. So here you go…
A Modern Fairytale
From that moment something changed in all of us and a modern fairytale was born.
Derided for our tribalism, mocked for our predictability,
now our unity would surprise.
As headlines were made and news spiraled around the world,
we were focused.
Shaken from our reverie, shocked by what we witnessed,
old memories long since committed to the backs of minds, awoken once more.
And so, we adopted you. Tuned in, crossed fingers, sat tensed, silently praying
to someone or something in the hope that you could find
'us' some justice.
As best we could we shared the early elation,
giving not a second thought to our own nation,
then returned to heightened tension, pacing floors, shouting
at screens and watching, forlorn as you ran out of steam
and didn't quite have enough.
As the whiff of a final chance floated through the air
and you gathered for one more time, the atmosphere crackled
with pride, optimism, anticipation.
That image, still fresh, would spur on a nation and its adopted
sons and daughters and we punched the air, as one,
as the net bulged again and again, edging you closer to a triumph
that was surely written in the stars.
As you celebrated, a wall of red, white and blonde
our game once again reminded us of its power,
producing joy where once there was fear, shock and mourning,
we will always remember these moments of unity,
when once, we were all Danish, weren't we?
Shortly after writing my Danish poem, I watched the last North Macedonia game. It turned out to be the final international appearance of Goran Pandev, a player I’m well aware of, but also one I’d lost track of somewhat – I mean, I follow football, but you can’t know every player’s every movement, right?
Pandev was substituted late in the game and given a standing ovation by the crowd as well as a guard of honour by his team mates. The game literally stopped while this happened. Once play re-started the crowd chanted his name for a good few minutes too. I just thought it was a wonderful few moments and something that said a lot about our game. So I wrote a poem.
If there is a word for a figure that is not quite a legend, not quite an icon,
then it is needed for times like this.
A celebrated career, yet only known to those of a particular ilk; dedicated, obsessive,
those who glory in the fact that the devil is in the detail.
Born to a nation that many could not find on a map,
scorer of goals that most cannot recall, let alone say that they saw,
it is all the more remarkable that as you leave the field,
for what many would not realise is the final time,
there is a guard of honour, a standing ovation and a rousing, hearty chanting of your name.
A tribute, not just to you Goran Pandev, but to all of football.
England versus Scotland was always going to provoke something in me. As a proud Englishman, it’s a fixture I love, regardless of the sport. It’s the one that both sides always want to win and dared not lose. A classic, bitter, historic rivalry.
As it turned out, the match was largely a non-event. England, overly cautious and perhaps overawed by the occasion, Scotland, performing above the sum of their parts, but still only arguably the better of a bad bunch. The teams shared a point, before ultimately going their separate ways; England qualifying for the knockout stage of the tournament, while Scotland would fail to get out of the group stage.
On England v Scotland
The oldest fixture in football.
This is not just a game, yet not the war that some would have you believe.
There is a hatred on both sides, a mistrust, a pride, an ancient grudge
that will forever break to new mutiny at the mere mention of the fixture.
All common sense, rationality and right thinking is cast aside
as Edward's army, Hadrian's Wall, devolution, independence,
invading Celts, broken crossbars and of course, 1966, dominate our thoughts,
Bitterness, nationalism, the iconography of two flags, tartan and St. George are
forced to the fore. Nails are bitten, alcohol consumed,
friendships cats aside, a nation even more divided
and for 90 minutes it feels like we hold our breath
and watch through our fingers, faces covered, limbs tense,
a calm exterior a thing of the past.
Our capital invaded, our stadium full, our heroes reminded of their history, their duty.
And yet, on this occasion it will not matter. One side deflated,
the other, seemingly elated; neither wins the day.
Wherever loyalties lie, we'll meet again, we'll see your like again.
I’ll finish this blog with a very short poem concerning the England player Jadon Sancho. Sancho is a young player who has achieved a great deal in a short time, having moved to Germany to ply his trade. And yet, for the first three group games of the tournament, he didn’t get a sniff of action on the pitch. For the first game, he didn’t even make the matchday squad and as a player with such obvious gifts, this became a talking point. He’s since agreed to join Manchester United for something like £73m and has actually played one game in the tournament. The team however have played six. So, like most of the country I was a bit puzzled. Unlike most of the country I wrote a poem in his honour.
You could have been at home,
socialising, enjoying the typical efficiency
of Tuetonic transport systems
or sipping a smoothie or even a beer
in a Dortmund park.
More likely, you could have gone on holiday,
said '(Foot)balls to isolation',
but no. You're here, under-used,
cast aside, destined to warm up perpetually.
What a waste.
I hope you’ve enjoyed these poems. If you haven’t, don’t worry, Euro 2020 will be over soon and life can move on. Don’t give up on me! I could well write something that’s right up your street very soon!
This is a poem that I drafted very roughly a couple of days ago. I’d just had some bad news and on top of feeling exhausted with work, sore with a running injury, sick and tired of living with Covid restrictions and worried about various other matters in everyday life, I think I’d just had enough. So, rather than simply explode and kick things about the place I scribbled some thoughts down.
I don’t normally suffer with my moods. I tend to manage to live life on the same level most of the time. I’m rarely too bothered by anything and have always told myself that things will work out, whatever happens to be going on. It’s definitely an advantage of being such a simpleton! However, over the last few weeks lots of things seem to have been bothering me and it sees to have all piled up and caused a bit of a bad mood logjam. Not the end of the world and at least it’s meant that I can be creative.
Here’s the poem.
Feral dogs gather, sensing blood, teeth bared
snarling, putting a tentative foot forward,
circling without grace, eyeing you constantly
until they finally snap and leave their mark.
Every ache and pain nags and presents a new question,
crowds the mind, leaving a feeling of fog
until you feel like lashing out with a primal scream
from somewhere deep inside that you've never found before.
Questions, although answered time and again
remain, echoing back and forth, disrupting sleep
to pick away at the scab that they created,
allowing it to spread to unchartered territory.
Tunnel vision is adopted, just to get through seconds, minutes
as something hidden in the shadows threatens to grind you to a halt
like hazard lights on the motorway, just as the urge for freedom and speed
is at its highest.
Searching for a way to break the cycle and feel a sense
of achievement, or at least a moment's blessed relief
from the sheer boredom and strangely gargantuan effort
needed to just keep going.
Writing this helped. It’s very easy to sit and moan at anyone who’ll listen, but I much prefer to keep things to myself. It’s a mixture of embarrassment and just the thought that I don’t really want to burden anyone with my troubles. Especially as most of the time I feel like I’m exaggerating in even labelling certain things as ‘troubles’. I know that lots of people have things much, much harder than I do. And as I said earlier, I’m reasonably happy to get through and operate under the assumption that any mood will pass and that things will get better.
In the poem, I’ve tried to describe how I felt; as if the thoughts, the worries were circling me, taking turns at bothering me and bothering me on various levels and with various results. Hence the ‘feral dogs’ line which I felt summed up the fact that I didn’t feel like I had complete control at times and didn’t feel that I could just dismiss things. Those thoughts just kept coming back, biting me.
If it helps, or it’s of any interest, I think I feel better today. I’m just keeping myself busy and it definitely helps that the weather is great, I’ve been able to get out for a run and that the Euro 2020 international football tournament has just started. Like I say, I’m happy to keep things simple.
I hope you liked the poem – ‘enjoyed’ might be a stretch I suppose! Whatever your thoughts, feel free as ever, to let me know in the comments. Thanks for reading.
This is a poem that I rediscovered while going through a notebook recently. It’s about my sister and our relationship. I wouldn’t say that we’ve had a difficult relationship, but it’s not one that’s been particularly straighforward. It’s not that we don’t get on; it’s just that we’re quite different characters. I’m sure lots of siblings are exactly the same.
There’s a six year age gap between us and so, at times growing up it felt like we had little in common other than parents. It was just too much of a difficult age gap. There was and still is no shortage of love, but we just turned out very different and I think that meant that the bond wasn’t all that it could have been. I got thinking about it recently when I heard that my sister was ill and it led to me writing the poem and in a way reassessing how we are with each other and also realising how lucky I am to have her and how important she’s always been for me.
From the line where we started there was always a distance.
You were independent, strong, theirs long before me.
Later, when fate made me weak, doctors kept us apart and the distance grew.
You closed the gap as we got to know each other better,
looked after me, a fierce lioness to my runt of the litter.
Teenage kicks widened the gap again to a chasm
and you were out more often than in.
Your influence remained even when you weren't around
as your music became mine, throwing me those White Lines
and an everlasting Motown lifeline.
Around this time you revealed to us your terrible taste in men
as a series of terrible choices took you away some more
and made you seem like a stranger.
No longer the apple of anyone's eye, especially not mine,
who, worldly wise at the grand old age of twelve was the perfect judge;
a pre-teen with a puritanical moral compass.
How that would change as we grew and underwent a role reversal.
At twenty one the bad choices still hung around as you set off,
no more than a child, to become an adult,
from Miss to Mrs in the blink of an eye, my fierce, happy lioness just gone.
You were there, but not really...
My own growth widened the gap some more; a Grand Canyon of taste,
culture, views and choices. And despite your own bad record,
you were there to pick up the pieces when I made the wrong choice myself.
And, when I was too young to cope with loss you scooped me up, held me so tightly that it physically hurt yet emotionally helped and I endured the pain just to feel safe again.
Eventually it was geography that would create another mystery; the one that says
you cannot close a gap when neither of you will pick up the phone.
It's one we're still trying lazily to unravel.
Now the first knock on a particular door, the one that we were scolded just for mentioning when we were kids, brings the news that we had always expected with age and I'm a kid again,
grasping for words, gasping for air, unable to cope and looking to you for comfort me,
The realisation that those gaps need to be closed hits me like a sledgehammer.
Forget the choices, forget the gaps, move on from the past and hope
that we can make the best of whatever future might remain.
I’m not sure there’s much else I can say about this poem. It feels like quite an emotive thing to write about and as such, I’m not sure how I feel about it. I’m not sure it really matters whether I think it’s good or bad, but I hope it does my sister and our relationship justice and I think it’ll be a subject matter that I’ll return to.
I’d love – as always – to know what people think, so feel free to leave a comment.
So this is a bit of a strange poem. Maybe I’m going through some kind of arty phase or perhaps just trying something different. Maybe I’m trying too hard…I don’t know. Let me try to explain.
This is a poem that came from a couple of different places. It started with some words that I didn’t really know what to do with. A couple of weeks ago, I was teaching a lesson on creative writing, specifically narrative form. We were looking at the idea of ‘show, don’t tell’ and not being too obvious with description. So rather than saying that your character had laughed, you might write about the smile spreading across their face, their shoulders shaking and so on.
As part of the lesson we watched a clip from ‘The Woman in Black’ as the protagonist enters Eel Marsh House and wanders slowly around. I let the class watch the clip a couple of times as it was only a few minutes long, and then got them to write some snippets of description. While they were doing all of this, I got a scrap of paper and wrote some description myself. Once I’d done, I had a quick read through – I liked it, but had no idea what to do with it. So, I folded it up and put it between pages in my notebook, resolving to have another look at it later and try to work out how to use it. To be honest, I thought I’d just write a poem about walking through an imagined creepy old house.
Later that day, I was checking my emails and saw that I’d had an alert from a company called Ancestry.com who I’d been tracing my family tree with last year. It had been a frustrating process. I’d mainly wanted to find out about my father’s side of the family, as I never really knew my paternal grandparents.
Anyway, the alert told me I’d had a DNA match and so I opened it up quite excitedly. The excitement lasted all of 60 seconds or so as the alert that proclaimed to be about a second cousin turned out to actually be my own grandad on my mother’s side. So, not a second cousin at all and actually someone I knew pretty well as well as being someone that could be found on my family tree…on Ancestry.com. It got me thinking about my mysterious paternal grandparents though.
Later that evening I was watching one of my favourite programmes, American Pickers (one day I’ll write a blog about these programmes because I think it’s quintessential middle aged telly) and they were looking around the home of someone who’d collected antiques all his life. His son now didn’t know what to do with all of this ‘stuff’ after his dad had passed away. In turn, this brought to mind the entirely fictional idea of clearing my wife’s grandmother’s house when she died. And then, this poem clicked into place and it became clear, if a little weird, what I was going to attempt to do with my ‘show don’t tell/Woman in Black’ notes.
So the poem is basically about what I imagined it would be like to go and clear my own grandmother’s house and how, if I’d been able to do it, I might have been able to find out more about her. Hence the jigsaw puzzle reference. I mean, up until about a year ago I didn’t even know her name, so there were a lot of pieces missing. There still are. and I suspect they always will be.
Anyway, here’s what in one corner of head is my pretentious poem. Don’t worry, in another corner of my head – which isn’t actually square before anyone gets worried – I actually quite like the poem and am quite pleased with the whole idea behind it.
A kaleidoscope of light streams through stained glass
as particles of dust waltz eerily across the room.
This is not what I remember.
Instead, you are fragments of a jigsaw puzzle,
too many pieces missing to ever be complete.
Today may fill in gaps, but I feel I'll never know you.
Perhaps it's because you never wanted to be known.
In my head I'm clearing your house, a house I never knew,
hoping for some of those lost pieces.
A stuffed bird, incongruous, gazes across the room
as an ancient rocking chair teeters back and forth without explanation.
I never imagined you as the type who had time to relax,
all of those children would put pay to that,
but perhaps you're there now, assessing another that you never knew.
My feet pad across a well worn rug, the latest in a long trodden line.
I trace my fingers over the top of a low table, idly making patterns in the dust,
imagining you and chunks of a family, maybe even my father,
fighting for food and attention.
A wall is littered with portraits that trace my progress around the room.
I wonder who they are, speculating that one might even be you
which prompts a pang off loss for someone I never had.
Snapped back to the here and now, I resist the urge
to uncover any of the unknown items being protected from a lifetime of dust
by dull shrouds, brace myself
and place a tentative toe on the first of the stairs,
not knowing who or what I'll find, but hoping
for something to fill in the gaps and solve at least some
of this decades old puzzle.
I’m pleased with the way this poem came together. It’s something completely different for me and very much fictional. I think I surprised myself by being able to use the description I wrote in such a way. With that in mind, I suppose it doesn’t matter whether it’s good or bad. It also pleased me because I have plans for another fictional – but based on true events – poem that I’m trying to write, but from the point of view of someone else entirely. Writing ‘Jigsaw’ makes me believe I can write this other poem, which feels like quite a big step.
I only have one memory of my grandmother and it’s vague to say the least. I remember being taken to a house on the other side of Newcastle by my father and him telling me we were going to visit my grandmother. I couldn’t have been any older than 6 or 7. I remember that it was pouring with rain when we arrived and I was very aware that this was somewhere I’d never been before, despite having a huge family that would’ve lived in and around the area. My dad left me in the car while he ran across the road to knock on the door of a big, imposing old house. I remember thinking that my grandma would come to the door and my dad would just come and get me and in we’d go. Pop and cake would inevitably follow.
I was wrong. Someone came to the door, there was what looked like a tense and brief conversation and then my dad headed back to the car. Seconds later we drove off, my dad telling me we couldn’t go in because grandma was ill. My ancestry research tells me that this was a nursing home and she would have died days later. There would be no pop and cake. The woman at the door wasn’t even my grandma. However, I think the house in the poem is the house I remember.
And that’s it! The fragments of a jigsaw puzzle that I refer to in the poem, well they’re actually one piece, I suppose. I wish I knew more. It’s not a particularly sad thing though. Lots of people have relatives that they never knew and in truth, both of my paternal grandparents just make me curious, really. My curiosity has led me to ask my dad about them, but – and this is the sad bit – he really doesn’t seem to have known them. My grandfather in particular seems to have been a very transient figure and in fact, one of the most frustrating things researching my family tree was the amount of addresses he seemed to have had that were different to the rest of his family! He was either what some people refer to as a free spirit, what others call a rascal or just a bit of a dick. Whatever label I settle on, I’ve made a note to write a poem about him too.
I hope you enjoyed this poem. I hope to God it isn’t too pretentious for words. Woe betide it might seem that I’m disappearing up my own arse! It was just an idea and one that I hope worked. For the record, I think I’m happy with it.
As always, feel free to let me know what you think. I’m always interested to hear what people got out of reading my poetry. Oh, and as always, thanks for reading.
Welcome along to another poetry blog. I won’t bang on too long about this one, because I’ve blogged a few times recently about the fact that we’ve been isolating for ten days after my son and wife tested positive for Covid-19. And this is where these poems have come from. Simple enough.
What’s safe to say though is that this post is very much a first for me. This post contains three poems, something that I’ve never done before in a single blog. I had intended to try and write a poem a day for the time that we were isolating, but quickly realised that what I’d end up with was probably two poems that I liked and 8 absolute duffers.
I ended up writing three poems, all connected to our isolation period. My first one came about for a combination of reasons. Firstly, I was feeling quite shocked about the two positive tests that had happened in our house and while spending the first couple of days largely on my own, had a lot of time to think. Secondly, the Facebook group I formed last April called Lockdown Literature, was somewhere where I hadn’t posted anything in a long time, so when I wrote the first poem quite quickly as a one draft piece, I wanted to post it there as a way of informing friends of what was going on. Only when I wrote the second one did I have the idea for the blog. The third one? Well, that was the result of a head full of ideas and the need for one more poem to complete the hat-trick!
Here’s the first poem, written shortly after we’d found out about the two positive tests.
We've done this so many times before
that I perform a cartoonish double take
as those two lines appear where there should be one.
And although one is barely there, it's still a second stripe, an alarm that stops rather than starts.
A moment stretches out in front of me
as I struggle to react, to comprehend, before the
adult in me reaches up, takes over and my mind
begins to crunch reluctantly through the gears
that will help me protect you.
More tests are booked, the coming days organised, rest is ordered, distance
Ten days to get through. Ten days to check on you both as you sleep. Ten days to worry on the inside, but paint a calm picture on the out.
The second poem is about watching my wife through our dining room window as she sat outside in the fresh air and what we laughingly refer to as sun in West Yorkshire at this time of year. It was a few days into our period of isolation and a relief to see that she had the energy to go out, a relief to see that she was smiling once more. It had only been a matter of days that she’d been ill for and it would last a short while longer, but given the death toll and the horror stories that we’ve seen and heard throughout the pandemic, it was a lovely moment.
It's funny how, despite the myriad cures and treatments
prescribed by those who know best,
we still insist that fresh air is the cure for all that ails.
I watch you both, furtively through the window,
part concern, part inquisitive and
partly just because it makes me smile.
Despite the late afternoon sun dappling the table
you're wrapped up for winter, for a moment comical,
with your hood up. But then your vulnerability
returns in sharp focus and I'm stopped in my tracks.
Fresh air won't loosen this deadly grip,
won't work any kind of magic. And so, I monitor,
shoulder the burden, cook beige teas and hoover to stay busy,
keep my mind from wandering too far down darkened streets,
watching from a window as you shiver but smile.
My final isolation poem is one that I fear may come across as pretentious. That’s definitely not the intention though. It was born out of the fact that we’ve had to work hard to avoid each other over the last ten or 12 days. There have been lots of moments where we pause and indicate ‘after you’ or just make eye contact in order to tell the other person which direction we’re headed. It’s been a kind of family friendly isolation and it just occurred to me that it’s been a bit like one long dance. This has mainly involved myself and my wife and it’s been never more apparent than last thing at night when we clean our teeth. We have a small bathroom and so have had to move around carefully in order to keep a safe distance from each other – a kind of cross between an amateur ballet and something out of a fight scene from The Matrix. I suppose we could have just brushed our teeth at different times, but then I couldn’t have written my pretentious poem. Anyway, here it is.
An Isolation Ballet
Little do we know it, but we've performed some kind of ballet this last week.
Two parts grace, one part paranoia, several parts a combination of
fatigue and sleepwalking.
We've picked a path around each room and each other carefully, reluctantly,
traversed two metres apart performing the every day
routines and collapsed in synergy, separately
at the end of each day.
The discipline has been exhausting as we plie and pirouette
our way through each hour of a ten day performance of avoidance
in search of some kind of security on our sanitised stage.
There are strange frozen moments, essential for safety, adding
to the drama and prompting the odd grin or burst of laughter at the
sheer ridiculousness of it all.
Sometimes we don't even need to look as we move,
cautiously yet gracefully navigating space, just sensing the other
and squeezing ourselves into a safe space.
This is not truly a ballet, a thing of beauty, but what we deem
necessary, vital as we dance apart, to stay together,
to remain safe.
So there you have it. The end to a difficult period of time in our house, although I think in terms of actual health it’ll take weeks, perhaps even months to adjust properly. The positive tests came at a time when I thought the threat had probably passed. I wasn’t ready for them. Not that I think I ever would have been, but at least when we were in the eye of the storm of Covid, say in the period between May last year and January of this, I had at least primed myself to expect the worst. Lately, as things have returned to being quite close to some sort of normality again, I had allowed myself the luxury of thinking that perhaps we’d got away with it. And of course we hadn’t.
I hope the poems haven’t seemed too indulgent or exploitative of the people involved or the situation. I think I just had to communicate what was going on somehow and writing it down is good when you’re being kept away from everyone else.
I hope you enjoyed what you’ve read. As ever, feel free to let me know what you thought in the comments. Thanks for reading.
This is a poem that’s been sat in my notebook for a long time. Months, not years, but a long time all the same. In truth, it’s one that I was a bit unsure of. I didn’t know what to do with it and as such it got a bit lost. Every so often I’d flick through said notebook looking for something else, only to re-discover this forgotten poem. Finally though, after a closer inspection, I’ve decided to give it an airing.
I think the good weather has helped. The poem is about a time when I could exercise a great deal more because for almost the whole time the weather was glorious. Looking out of the window as I write, it’s another glorious evening, much like those of last April and May.
It’s a poem about the pandemic. I don’t know quite when I wrote it, but I know that I took the whole thing deadly seriously once I realised the extent of the devastation that seemed to be going on. I was adamant that I was definitely sticking to lockdown, but determined to take advantage of our daily exercise allowance. And so I did.
The poem is about lockdown in general, but also the fact that I took the opportunity that lockdown presented as a chance to make some changes. I’d have said that I was reasonably fit or even kidded myself about being ‘naturally fit’ when it all started. But as I read more and more reports about coronavirus and took into account my own vulnerability to it, I decided that I was going to have to get much fitter. After all, there was little excuse; I wasn’t at work and all I really had was time. So, as the poem says, I ran.
When the danger struck, I ran.
Not away from it, but straight at it,
maybe heroically, possibly naively,
feigning bravery because I didn't know what else to do.
Such is my way with everything.
Don't think, don't plan, act on instinct, 3 in the morning thinking
and possibly a dash of Dutch courage.
And so, when the unseen, yet definitely alien villain headed our way,
sounding dangerously, almost laughably familiar,
Decked out like a skinny, pound shop part time superhero,
I somewhat limped into action, exercising evangelically
in an attempt to out-cardio this beefed up cold.
But while others stockpiled toilet rolls and
took another paracetamol from their selfish stash,
I got fitter, leaner, stronger.
My thirst for the fight meant I doused my fear in fresh fruit,
nuts, seeds and an ever present bottle of water,
and I ran.
Thousands perished. Some sought solace in illegal road trips
or standing on doorsteps hypocritically acclaiming those who chose the Hypocratic.
I doused my guilt with physical torture, pushing myself to limits I'd not explored in years,
enjoying the isolation, getting evermore prepared to face what felt inevitable
and hoping that this wasn't all in vain.
The effects of lockdown – or lockdowns, plural – can’t be underestimated. I think, more than anything, I benefitted from it, but it was still an awful, scary time. Running got me through the fear. In fact, running quite often dealt with the early mornings, while writing steered me through the late, sleepless nights. So my poem is both about what I did as well as being a direct result of what I did.
I’ve tried to inject a dark humour into parts of this poem. At first, I didn’t really believe the hype about coronavirus. It was the flu, it was a ‘beefed up cold’ and I wasn’t going to lose too much sleep about that. I soon realised the truth though! I’ve attempted a little more dark humour later in the poem too. Although I was fit, I probably didn’t really look it; hence the ‘skinny…superhero’ reference. And let’s face it, not many tall skinny fellas look good in lycra!
The whole pandemic scared me and the best way that I could think of to deal with that fear was just to throw myself into something. Exercise, fitness and in particular, running was that thing. Initially, my thinking was simply that if I was fit, the virus would stand less of a chance against me, so I was exercising in different ways every day. At first the whole family joined in and then, as the world righted itself and people went back to school and work it left me largely on my own in terms of exercising. And this was when the running went into overdrive. I’m guessing that when I wrote the poem I was feeling particularly evangelical about it all!
That’s certainly why there’s the reference to people stockpiling certain products. I think lockdown saw a lot of people showing their true colours and it angered me that while I was doing my best to stay safe there were others just making sure that they didn’t run out of anything, that they weren’t inconvenienced. I’d see social media posts from people about how they’d joined in the ‘Clap for Carers’ knowing that they’d been visiting friends or family when it just wasn’t allowed. The hypocrisy of that support for the NHS really bothered me when all it seemed to be for some people was a chance to pat themselves on the back and look good. And I watched in horror as various high profile people in the UK were caught out visiting family hundreds of miles from their homes, while I couldn’t head out to visit friends and family myself. In fact, at the time of writing, I still haven’t seen my parents, my sister and some of my best friends and it’s been well over a year.
So there you have it. A poem that may take people back in time a little bit, despite the fact that large parts of the world are still in lockdown and that even here in the UK we’re only just beginning to glimpse the light at the end of the tunnel. As ever, I’d love to hear what people think, so please feel free to leave a comment.
This is a poem I wrote at the back end of last year after a bit of a setback, careerwise. It’s not important what that was, but it hit me like a train. This was unusual for me, as I don’t brood on things too much – apart from football, stupidly – and always try to take the view that ‘these things happen’ and that as long as I can move on with life, I will.
However, this was different. When I was growing up my own father went through career problems at a similar age and as a kid in his mid-teens, an age when these things tend to leave an impression, I watched him suffer. His situation was far more serious than my own, but career-wise at least, he never recovered. He was out of work for a number of years, having successfully fought his old employer in court, and it all combined to reduce him to someone who was constantly angry and who must have felt that he’d never have hope again. So, faced with the news that I received, it was a worry to say the least.
Here’s the poem.
You are at an unexpected crossroads, bewildered, like your father before you.
Was he older? Younger? The memory vague, but those days branded on to you,
although the details fade. Until now.
Two envelopes, weeks apart, that plunged you not once but twice
to depths you hadn't thought were there anymore.
To questions about your worth, your place, your existence.
Dark thoughts return, like a playground bully, arm round you, sinister smile,
pouring poison in your ear. You've not thought like this in years,
not imagined you'd think like this again. You do not know which way to turn.
The news leaves you like a puppet without a master,
limbs useless and flat, splayed out across a table thinking, like a coward
that perhaps, perhaps, perhaps, they'd be better off without you.
But just as this is not a real option, this is not a real crisis.
You wipe away tears, busy yourself, think, confide in those you trust,
love, value. There is even a small sense of liberation.
Slowly, you crawl out from under your stone and although you feel
that age is cruel and experience no longer valued, this is not the end.
You stop short of full on Gloria Gaynor, but you will, in fact survive.
You find some focus, tell yourself that you are not him and that
you will find not the other side, but an other side, that the confidence,
however painted on it may be, will return.
You are at an unexpected crossroads, bewildered, like your father
and like others, worse off, who felt that their whole world had
collapsed, sometimes even because it had.
But every crossroads has a way home.
The poem is about how bad it all felt. I genuinely felt like I’d let my family down. I felt that I’d completely failed and I felt extremely angry at that. The feelings that the whole situation prompted in me took me by complete surprise and for a short time I couldn’t see the point in anything anymore. As I usually do, I internalised everything and even though I eventually discussed it with my wife and a few trusted friends, the extent of my thoughts and feelings weren’t revealed. Until now, I suppose.
Eventually, after a few weeks of brooding and, dare I say it, feeling sorry for myself, I decided that I wasn’t going to put up with it anymore. I’d regard myself as quite strong, mentally and I could see that what had happened could just be an opportunity.
For me, there’s no point in sulking and I won’t allow setbacks of any size to hold me back for too long. Not that I’m hell-bent on moving too far forward, mind. I know not everyone is like this and I wouldn’t ever criticise or question anyone’s right to feel any way that they want, but as a grown up with a wife and family I made a conscious decision to get back on with life, hence what I hope is an optimistic ending to the poem.
It does worry me that my age is now a barrier. I feel that my experience isn’t particularly valued and that in education there has been a shift in thinking. If it’s not shiny, smiley and youthful, it probably doesn’t have what it takes. Call me a cynic, but often these new approaches from people who’ve had a job for no more than a few years are just approaches that have been done before, but wrapped in nicer paper nowadays. At my age my work feels like a competition to see who can smile the most and shout the loudest. I’m not a very good smiler or shouter either! But, as the poem hopefully shows, I’m not prepared to go under just yet!
I’m definitely at a crossroads in terms of work, age, the way I look, the things I do, the company I keep and much, much more.
With work, I can’t decide whether I want to slow down or head for a new challenge. Or just to keep doing what I’m doing, which is something I love at a place I love. With my age and a notable birthday on the horizon, I need to choose whatever I do carefully; not just in work. In terms of my looks, my hair is greying, my body not quite as responsive as it once was, my face a little more haggered. I won’t be reaching for the Just for Men and won’t resort to some form of cosmetic surgery, but sometimes I catch myself in the mirror and wonder where the fresh-faced 17 year old me went. And I’m always wondering, does my bum look big in this!
But I’ve realised that there’s no point in worrying about it. Just choose a road. Eventually I’ll find the right one. And whichever I choose, I’m lucky enough to have family and friends to rely on.
I hope you liked the poem. As ever, I’d love to hear what people think, so feel free to leave a comment.