Film Review: Overlord

OVERLORD | British Board of Film Classification

If you’ve ever wondered what the world would have looked like if Germany had triumphed in World War II, you may well have come up with some or all of the following answers.

  • Lots and lots of blonde, blue eyed people, like an incredibly efficient version of Baywatch. (Ironically, given his dark hair, David Hasselhoff would still have had a place because of the affection that he’s held in in Germany. He did, after all, single-handedly bring down the Berlin Wall).
  • Trains that ran on time. All of the time.
  • The obligatory picture of the family in ledherhosen on every mantelpiece.
  • Lots and lots of mullets.
  • Everybody can take a penalty, whatever the pressure. (This is a football gag…soccer, if you’re not familiar with what football actually is).
  • Of course I jest. The world wouldn’t look anything like this generalised tuetonic view…

What you probably wouldn’t have imagined though, would have been any supercharged zombies. But then, you probably haven’t watched ‘Overlord’.

Directed by Julius Avery and starring Jovan Adepo, Wyatt Russell and Mathilde Olivier, Overlord tells the tale of an American army units’ seemingly doomed mission to take out a vital communications tower prior to the D Day landings. We find our heroes in a plane, heading for Northern France and a remote village where the Nazis have set up some kind of communications hub in an old church. As you do. If the allied troops are to succeed on the beaches of Normandy this tower needs to be taken out. If it’s not, then the Nazis will be able to intercept allied radio communication and will inevitably be slaughtered. Over to you, American heroes.

However, when their plane comes under heavy artillery fire and ends up in flames you realise that this is going to be in no way a straightforward tale of big ol’ Uncle Sam saving the day. A bit like WWII, really. But, some of our parachuting heroes survive – I mean, it’d have been a short film otherwise – and head towards the target village in order to complete their mission. Game on!

If you, rightly, thought that Hitler’s plans for the Aryan race were unpalatable, then you’d be truly horrified by what our heroes find in the village and subsequently the church.

Overlord marries a dystopian vision with some of the most warped elements of horror to give us a quite absurd, yet compelling twist on the classic war film. You’ll find tons of clichés, heroes, villains, a little bit of glamour in the form of French villager Chloe played by Mathilde Olivier, but you’ll also find jump scares aplenty and a horrifically warped version of what the Reich were cooking up – literally – via their crazed scientists. Is it believable? Well, no. Is it watchable? Hell, yes!

Overlord is no emotional roller coaster. There are no life-changing performances here. However, it’s sure to keep you gripped and brighten up a dull day with its sometimes utterly fantastical plot.

If you’re not too bothered about realism, if you enjoy a bit of gore and if you fancy a war film with a twist, then Overlord is very definitely worth a couple of hours of your time.

I give Overlord

Author: middleagefanclub

Man, husband, dad, teacher, coach, Geordie. Former street dancing champion of Tyne and Wear, guinea pig whisperer, developer of the best-selling fragrance, Pizzazz and alleged liar. Ex male model and a devilish raconteur. No challenge should be faced without a little charm and a lot of style.

10 thoughts on “Film Review: Overlord”

  1. Great review – I love your sense of humour! Likely a bit too much gore for this woman, but I have two in my house who would likely love it.

    Liked by 1 person

  2. As a previous comment says, Saving Private Ryan was great. The horror twist would probably turn me off to this but I enjoyed your review!

    Liked by 1 person

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